提升国际传播能力建设也就是在国际上以中国特色社会主义话语体系讲述中国故事、传播中国声音、展示中国形象，并在中国时代世界的多维视域中做立体式的话语表达与文化传播。推

提升国际传播能力建设也就是在国际上以中国特色社会主义话语体系讲述中国故事、传播中国声音、展示中国形象，并在中国—时代—世界的多维视域中做立体式的话语表达与文化传播。推动中国特色社会主义文化国际传播，可为世界人民谋和平、谋发展、谋幸福提供源源不断的精神动力，为全世界贡献中国智慧、提出中国方案。国际传播能力建设是新时代中国特色社会主义思想的重要组成部分，是意义重大、影响深远的系统工程。为了提升新时代文化国际传播能力，我们亟须聚焦时代要求、彰显中国特色、拓展传播载体、展现世界意义，更好地使中国特色社会主义文化走向世界、融入世界，并引领世界在新时代的新征程上阔步向前。

 

王先生，出生于1944年，5岁开始学习书画艺术，至今70多年。王志安先生毕业于西北师范大学美术系，现任甘肃省马家窑文化研究会名誉会长、西北民族大学马家窑文化研究院院长。

Mr. Wang, born in 1944, began to study calligraphy and painting art at the age of 5 and has been studying for more than 70 years. Mr. Wang Zhian graduated from the Department of fine arts of Northwest Normal University. He is now the honorary president of Gansu Majiayao Culture Research Association and the president of Majiayao Culture Research Institute of Northwest University for nationalities.

 

王先生的人生经历非常丰富，他也有特殊的一段人生砺炼经历，但是王先生没有因为特殊的经历被打倒，他却利用了这段时间大量的学习，读书提升自己,升华了自己。在90年代他在自己的家乡马家窑文化遗址所在地创建了临洮县马家窑文化研究会。之后用出色的研究成果，把县级的研究会成功提升为甘肃省马家窑文化研究会。他对文化研究和艺术追求的执着表现得到了社会的公认，他把马家窑文化的研究拓展向艺术，哲学、人类学、民族学、等多个学科领域，成为中国民间研究马家窑文化第一人。2003年他正式创立了全国首家非国有马家窑彩陶文化专题博物馆，馆藏珍藏了一批极其珍贵的彩陶文物，很多彩陶是国内外独一无二的孤品。2005年他担任了西北民族大学马家窑文化研究院院长，因此他也是把马家窑文化从民间研究带进了大学殿堂的第一人。2006年中央电视台十台播出的“神秘的中国彩陶”中他作为主讲人，讲述了他对马家窑纹饰的原创性的精彩解读。 

Mr. Wang's life experience is very rich. He also has a special life refining experience. However, Mr. Wang was not knocked down because of his special experience, but he used this time to study a lot, read books to improve himself and sublimate himself. In the 1990s, he founded the Majiayao Culture Research Association of Lintao county at the site of Majiayao culture site in his hometown. After that, with excellent research results, the county-level Research Association was successfully promoted to Gansu Majiayao Culture Research Association. His persistent expression of cultural research and artistic pursuit has been recognized by the society. He expanded the research of Majiayao culture to many disciplines such as art, philosophy, anthropology, ethnology, and became the first person to study Majiayao culture in Chinese folk. In 2003, he officially founded the first non-state-owned Majiayao painted pottery culture museum in China, which has collected a number of extremely precious painted pottery cultural relics. Many painted pottery are unique at home and abroad. In 2005, he served as the president of Majiayao Culture Research Institute of Northwest University for nationalities, so he was also the first person to bring Majiayao culture from folk research into the university hall. In the "mysterious Chinese painted pottery" broadcast on CCTV 10 in 2006, he, as the keynote speaker, described his wonderful interpretation of the originality of Majiayao patterns.

 

王先生在书画艺术上有很深的造诣，基于王先生多年对彩陶的丰富收藏和和对马家窑文化的深入研究，马家窑文化便在他的心灵中产生了一种奇特的艺术效应，使彩陶文化和书法艺术已经微妙契合在一起，给他的书画艺术创作注入了新的灵感，形成了他艺术创作的丰富源泉。王志安先生多年来一直耕耘在书法艺术的创作园地中，形成了自己独特的艺术风格和文化风貌。孙奇峰对他的书法给与很高的评价，说他的字：“劲险刻厉、妙于取势、纯熟自然、柔中带刚、古朴通变。”沈鹏先生说他的瘦金书：“笔法古雅，用笔干净利落，结体简约流便，法度森严。虽字字独立，却气韵流畅衔接自然。其字形略取纵势，重心安稳，中宫开阔。审美取向以中正为主，而不以奇崛，险怪取胜。”罗扬先生说他的书法：“师古不泥，自出新意，笔精墨妙、出神入化。是典型的文人书法家。”并说“他的眼睛不是盯着名利的市场，而是盯着气象万千、万紫千红的文化和艺术大千世界，所以看到他书法的时候可以让我们在喧闹的红尘中感到一种宁静，在躁动的书坛中感到一种典雅。”

Mr. Wang has deep attainments in the art of calligraphy and painting. Based on Mr. Wang's rich collection of painted pottery and in-depth study of Majiayao culture for many years, Majiayao culture has produced a strange artistic effect in his mind, which has subtly integrated the painted pottery culture and calligraphy art, and injected new inspiration into his artistic creation of calligraphy and painting, Formed a rich source of his artistic creation. Mr. Wang Zhian has been working in the creation garden of calligraphy art for many years and has formed his own unique artistic style and cultural style. Sun Qifeng spoke highly of his calligraphy, saying that his calligraphy: "strong, dangerous, sharp, good at taking potential, proficient and natural, soft with hardness, simple and changeable." Mr. Shen Peng said of his thin gold book: "the style of writing is ancient and elegant, the pen is clean and neat, the structure is simple and convenient, and the law is strict. Although the characters are independent, the charm is smooth and the connection is natural. Its shape is slightly vertical, its center of gravity is stable, and the middle palace is open. The aesthetic orientation is centered on the positive rather than the strange and dangerous. " Mr. Luo Yang said of his calligraphy: "the teacher is ancient but not mud. He has new ideas. His pen is fine and his ink is exquisite and superb. He is a typical scholar calligrapher. " He said, "his eyes are not fixed on the market of fame and wealth, but on the colorful culture and art world. Therefore, when we see his calligraphy, we can feel a kind of tranquility in the noisy red world and an elegance in the restless calligraphy world."

 

王先生在马家窑文化研究领域中的丰富成果，直接带动了他的艺术灵感，触动和拓展了他的文化艺术情思，撩起了他深度的艺术创作活力。他以中华民族深厚的文化传统为依托，以扎实的艺术功底为基础，在书法领域创造出了自己个性鲜明的艺术风格。2013年媒体评处出《中国当代最具学术价值和市场潜力的三十位书法家》，他就是其中的一位。纵观他在文学领域，马家窑文化研究领域，书画艺术创作领域所取得的令人叹服的成就，他的书法写出了自己的面貌和文化的风采。他就是我们这个大时代中真正优秀的书法艺术家。

Mr. Wang's rich achievements in the research field of Majiayao culture have directly driven his artistic inspiration, touched and expanded his cultural and artistic feelings, and aroused his deep artistic creation vitality. Based on the profound cultural tradition of the Chinese nation and solid artistic skills, he created his own distinctive artistic style in the field of calligraphy. In 2013, he was one of the 30 calligraphers with the most academic value and market potential in contemporary China. Throughout his amazing achievements in the field of literature, Majiayao cultural research and calligraphy and painting art creation, his calligraphy has written his own face and cultural style. He is a really excellent calligraphy artist in our great era.

 

【罗杨先生评王志安】：

罗杨先生说：王志安先生是一位文墨相间的书法家，他本身是一个研究马家窑文化的学者和专家，同时也酷爱书法艺术。我觉得，优秀的书法作品应该具有文学内涵、诗词意境、舞蹈的旋律、音乐的节奏，作为一个优秀的书法家，应该具有深厚的文化趣味和渊博的知识，还有特殊的人生经历，他的书法才能表现出他的风格和一种魅力，那么王志安先生就是有着一种，不同于凡响的人生经历的这样一位艺术家，所以在他的书法中，我们可以看到师古不泥，自出新意，又比较出神入化，人书俱老、历经磨炼，我也希望通过这次展览，王志安老师能够更上一层楼，笔底春风绘不尽，东涂西抹总开花。

罗杨先生是中国文联原主席团委员、办公厅主任、中央文史馆特约研究员、中国书法家协会理事，以上文字来源于王志安北京书法展开幕式罗杨先生答记者问。

 

[Mr. Luo Yang comments on Wang Zhian]:

Mr. Luo Yang said: Mr. Wang Zhian is a calligrapher with both ink and text. He himself is a scholar and expert studying Majiayao culture. At the same time, he also loves the art of calligraphy. In my opinion, excellent calligraphy works should have literary connotation, poetic artistic conception, dance melody and music rhythm. As an excellent calligrapher, he should have profound cultural interest, profound knowledge and special life experience. His calligraphy can show his style and charm. Then Mr. Wang Zhian has a kind of charm, An artist different from fan Xiang's life experience, so in his calligraphy, we can see that the teacher is not mud, has new ideas, and is more superb. People's calligraphy is old and has been tempered. I also hope that through this exhibition, Mr. Wang Zhian can go to a higher level, with endless pen and spring painting, and always blooming.

Mr. Luo Yang is a former member of the presidium of the China Federation of literary and art circles, director of the general office, special researcher of the Central Museum of literature and history and director of the Chinese Calligrapher Association. The above words come from Mr. Luo Yang's answer to reporters at the opening ceremony of Wang Zhian's Beijing Calligraphy Exhibition.

 

连辑先生谈王志安书法艺术：

我在甘肃工作期间一直很关注王志安先生，他有特殊的人生阅历，也有系统的艺术训练，又有执着的马家窑文化情怀。在甘肃，在国内，从书画艺术角度，从马家窑文化学者的角度，他是一位有分量的，值得大家提起的优秀艺术家和学者。 我离开甘肃以后也一直关心马家窑文化艺术的研究，包括新近出现的一些成果，也一直关注王志安先生书画艺术的发展和学术研究。最近去临夏参加了一次马家窑彩陶学术研讨活动，我深深感觉到我们国家最近这几年，因为有像王志安这样愿意坐冷板凳，不图名不图利的纯粹学者对马家窑彩陶文化的执着关注，使得我们国家在新石器以后，彩陶文化研究领域，对马家窑的看法和评价发生了很大的提升，认为马家窑彩陶文化是中国“仰韶文化”最典型的代表，具有世界级的意义，这种学术评价是在不断发展过程中的。现在这个评价越来越受到业内学者充分一致的肯定，这里头有着王志安先生的功劳。

 

Mr. Lianji talks about Wang Zhian's calligraphy art:

During my work in Gansu, I always paid close attention to Mr. Wang Zhian. He has special life experience, systematic art training and persistent cultural feelings of Majiayao. In Gansu, in China, from the perspective of calligraphy and painting art and Majiayao cultural scholars, he is an outstanding artist and scholar worthy of mentioning. Since I left Gansu, I have always been concerned about the research of Majiayao culture and art, including some recent achievements, as well as the development and academic research of Mr. Wang Zhian's calligraphy and painting art. Recently, I went to Linxia to participate in an academic seminar on Majiayao painted pottery. I deeply feel that in recent years, because pure scholars like Wang Zhian are willing to sit on the bench and do not seek fame or profit, they pay persistent attention to Majiayao painted pottery culture, which makes our country in the field of painted pottery culture research after the Neolithic age, The view and evaluation of Majiayao have been greatly improved. It is considered that Majiayao painted pottery culture is the most typical representative of China's "Yangshao culture" and has world-class significance. This academic evaluation is in the process of continuous development. Now this evaluation has been fully and unanimously affirmed by scholars in the industry, which is due to Mr. Wang Zhian.

 

他为什么关注马家窑这块？我觉得有几条。第一，他本身就是当地生长斯长于斯的有情怀的学者，对马家窑本身的理解来自于他的血脉，来自于他的人生阅历，来自于当地历史文化对他的滋养。第二，他本身从小就学艺术，是从学美术出身的，所以他的这种学术经历让他比常人更多的关注马家窑彩陶所体现、展示的历史文化信息、美学特征、审美情趣和对后来中华传统文化在发展过程中人类童年时期文化艺术成果的表达和展示。这是他之所以关注马家窑的第二点。第三，他自己本身作为一个艺术家，除了从事书画这种艺术实践以外，也想用更多的时间通过对马家窑文化的研究，丰富他的艺术经历、艺术思想、学术成果积累，让他不仅成为一个有成就的实践型艺术家，也逐渐成长成为一个有学术理想、学术品格和学术成就的学者，这两条都是做到了的。

 

Why does he pay attention to Majiayao? I think there are several. First, he is a sentimental scholar who grew up in the local area. His understanding of Majiayao itself comes from his blood, from his life experience and from the nourishment of local history and culture. Second, he himself learned art from an early age, so his academic experience made him pay more attention to the historical and cultural information, aesthetic characteristics and aesthetic interests embodied and displayed in Majiayao painted pottery than ordinary people, and the expression and display of human childhood cultural and artistic achievements in the development of Chinese traditional culture. This is the second reason why he pays attention to Majiayao. Third, as an artist himself, in addition to engaging in the artistic practice of calligraphy and painting, he also wants to spend more time on the research of Majiayao culture to enrich his artistic experience, artistic thought and academic achievements, so that he can not only become an accomplished practical artist, but also gradually grow into an academic ideal Scholars with academic character and academic achievements have achieved both.

 

他的书法成就比他的绘画还要高，第一，他也有他书法的学术积淀和理论指导。第二，他自己也有他的范式或者是他的榜样，在楷书上他可能更多的研究瘦金体这类的写法。行书是他主攻的方向，他行书非常大的一个特点就是很年轻，他已经年逾古稀，但你看他的字和充满活力的，有向上、健康、正能量的热情，在他的书法里充分的体现着。我看他很喜欢拿狼毫写字，喜欢拿刚健的毛笔写字，喜欢用中锋写字，十分肯定，他喜欢非常正确的结体，把每一个笔画的线条、质量阐述到位，在整个谋篇布局里头一气呵成，把神采贯穿其中。看他的字会觉得我们自己也会变得年轻，变得健硕，变得朝气蓬勃，给我留下很深印象。

【注】：连辑先生是中国艺术研究院原院长，非遗中心主任。本文是连辑先生在王志安先生北京书法展览研讨会上的发言。

 

His calligraphy achievements are higher than his paintings. First, he also has his academic accumulation and theoretical guidance of calligraphy. Second, he has his own paradigm or example. In regular , he may study writing methods such as thin gold style more. Running  is his main direction. One of the characteristics of his running  is that he is very young. He is over seventy years old, but look at his characters and energetic enthusiasm with upward, healthy and positive energy, which are fully reflected in his calligraphy. I think he likes to write with a wolf hair, a vigorous brush and a center. He is very sure that he likes a very correct structure, expounds the lines and quality of each stroke in place, and runs through the whole layout of the plan at one go. Looking at his words, we will feel that we will become young, strong and vigorous, which makes a deep impression on me.

[note]: Mr. Lianji is the former president of China Academy of art and the director of intangible cultural heritage center. This article is a speech by Mr. Lian Ji at Mr. Wang Zhian's Beijing Calligraphy Exhibition seminar.